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They say I had a near-death experience.
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00:00:06,760 --> 00:00:08,320
Then one thing became clear to me:
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00:00:09,320 --> 00:00:12,760
Don't tell him anything
otherwise he will go crazy.
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00:00:13,000 --> 00:00:14,440
He can't get you anymore.
5
00:00:15,800 --> 00:00:17,880
Maybe we can beat him with some LSD.
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00:00:19,800 --> 00:00:22,200
Who can us?
with our data?
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00:00:23,000 --> 00:00:24,160
The algorithm.
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00:00:33,160 --> 00:00:36,040
He has all the episodes
from "The Life of Jesus".
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00:00:37,280 --> 00:00:38,400
Who then?
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00:00:39,440 --> 00:00:40,520
The algorithm.
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00:00:42,160 --> 00:00:47,920
Eyes of the Heart
Eyes of the Heart
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Boris!
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00:00:49,760 --> 00:00:50,840
RENÉ
THE DIRECTOR
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I'm singing a new story
With emancipated characters
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ACTRESS/PRODUCER
ACTOR/PRODUCER
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As the new algorithm specifies
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00:00:57,440 --> 00:00:58,960
ALFREDO - DIRECTOR OF THE SECOND UNIT
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DUCCIO - CAMERAMAN
19
00:01:02,080 --> 00:01:03,600
ASSISTANT
PLATFORM MANAGER
20
00:01:03,680 --> 00:01:05,160
ASSISTANT
SECOND ASSISTANT
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00:01:05,240 --> 00:01:06,560
Parallel actions
Complicated scenes
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THE AUTHORS
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Boris
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EXECUTIVE PRODUCER
CO-PRODUCER
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We don't shoot them
We tell them
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BIASCICA - HEADLIGHTER
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LORENZO - OPERATOR
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An exciting TV series
That never lets you go
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Amidst supermen and teenagers
You're glued to the screen
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Oh, Boris, oh, Boris
Boris, Boris
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I was transferred to the second unit.
Was pretty hard.
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ASSHOLE
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00:01:43,600 --> 00:01:45,320
I think I'm unhappy.
34
00:01:47,640 --> 00:01:50,000
Enjoy this feeling
of sadness, Nuschler.
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00:01:52,720 --> 00:01:58,120
Time passes through contentment
faster and you die faster.
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00:02:00,960 --> 00:02:02,640
Use them wisely.
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00:02:03,960 --> 00:02:07,200
Enjoy the sadness, but slowly.
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00:02:11,160 --> 00:02:12,200
I'll try it.
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00:02:13,240 --> 00:02:14,840
Take me to base camp.
40
00:02:15,840 --> 00:02:16,920
Clear.
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00:02:18,760 --> 00:02:21,000
Are you going to leave me with the idiot?
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00:02:21,240 --> 00:02:24,480
I'm still with you,
in your heart.
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00:02:24,560 --> 00:02:30,800
There is a crowd in Jericho and you,
Nando, climb a maple tree,
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00:02:30,920 --> 00:02:32,320
for Jesus' attention
to win.
45
00:02:33,560 --> 00:02:38,400
-"Joshua, stop."
-Wait a minute, bring the big man to me.
46
00:02:39,000 --> 00:02:40,240
What does “big man” mean?
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00:02:40,560 --> 00:02:43,280
While filming the miracle scene
I noticed a tiny difference
48
00:02:43,360 --> 00:02:44,760
between me and Jesus.
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00:02:45,000 --> 00:02:46,200
-Really?
-Yes.
50
00:02:46,280 --> 00:02:49,080
Jesus had
no sense of humor at all.
51
00:02:49,560 --> 00:02:51,400
You're a comedian.
You will agree with me.
52
00:02:51,800 --> 00:02:53,440
Jesus had a different perspective.
53
00:02:53,520 --> 00:02:57,560
No, the Gospels went bad
marketed. Jesus must be funny.
54
00:02:58,040 --> 00:03:01,000
I want the audience a little
of my humor offer.
55
00:03:01,600 --> 00:03:04,560
-Great, but a little less of it, Stanis.
-René, just a little…
56
00:03:04,880 --> 00:03:07,960
Nando, you seem kind of stiff.
57
00:03:08,800 --> 00:03:11,680
Why did you choose me, René?
Is that what the platform wanted?
58
00:03:11,800 --> 00:03:13,440
Because I have so many followers?
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00:03:13,560 --> 00:03:15,560
I don't want to offend you,
but the platform
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00:03:15,640 --> 00:03:16,920
doesn't even know you.
61
00:03:17,040 --> 00:03:20,760
I wanted you because Zacchaeus
is a character from the Gospels,
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00:03:21,000 --> 00:03:22,240
which is actually funny.
63
00:03:22,320 --> 00:03:24,360
But instead
you play the role dramatically.
64
00:03:24,520 --> 00:03:25,760
You're imitating Gifuni.
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00:03:26,240 --> 00:03:27,720
-No.
-Nando.
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00:03:29,400 --> 00:03:31,320
-Just a little. Is it that obvious?
-No.
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00:03:32,040 --> 00:03:34,200
I'm tired of people
who come to my shows.
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00:03:34,280 --> 00:03:35,600
They're all hillbillies!
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00:03:35,960 --> 00:03:39,400
I want to be a theater actor.
I want to be like Gifuni.
70
00:03:39,520 --> 00:03:42,080
Why can't I be like Gifuni?
Is that a rule?
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00:03:42,160 --> 00:03:44,520
Do you want to be like Gifuni?
Two things: 1. the stomach.
72
00:03:44,840 --> 00:03:46,120
You need to lose some weight.
73
00:03:46,360 --> 00:03:47,840
And 2. you have to read Pasolini to me.
74
00:03:47,920 --> 00:03:49,000
Belly and Pasolini.
75
00:03:49,080 --> 00:03:50,360
I have to write this down.
76
00:03:50,560 --> 00:03:53,320
Nando, it's okay with Gifuni.
But one thing must be clear:
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00:03:53,440 --> 00:03:56,080
I need the old Martellone please.
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00:03:56,200 --> 00:03:58,360
The funny Zacchaeus.
Remember that, folks.
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00:04:05,280 --> 00:04:06,600
Belly and Pasolini.
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00:04:11,720 --> 00:04:13,680
Lopez,
When will the rest of the extras come?
81
00:04:13,800 --> 00:04:15,160
Today we only have that.
82
00:04:16,480 --> 00:04:19,440
That's the amount,
who greets Jesus in Jericho?
83
00:04:19,520 --> 00:04:21,680
-There should be 40 people.
-Yes, but my cousin said,
84
00:04:21,880 --> 00:04:25,120
that the Calabrian extras
not coming today.
85
00:04:25,240 --> 00:04:29,400
You've known about it since Friday and told me
promised to take care of it.
86
00:04:29,520 --> 00:04:32,120
True. Wow! Arianna,
you look beautiful today!
87
00:04:32,360 --> 00:04:33,520
So, Diego?
88
00:04:33,680 --> 00:04:37,680
I thought about the familiar style
according to the master.
89
00:04:37,920 --> 00:04:39,680
-Which master?
-Rene.
90
00:04:40,400 --> 00:04:42,600
You can shoot at a narrower angle.
91
00:04:42,880 --> 00:04:45,400
I even have a photo.
Looks like a lot of people, right?
92
00:04:45,680 --> 00:04:46,880
Looks like dinner.
93
00:04:47,480 --> 00:04:49,520
A dinner in Jericho.
94
00:04:50,960 --> 00:04:53,880
Sorry, what happened?
We have approval.
95
00:04:53,960 --> 00:04:57,160
-Didn't the money arrive?
-Yes, but not that much.
96
00:04:57,600 --> 00:05:02,520
And they behave like Americans.
How cheap Americans!
97
00:05:02,720 --> 00:05:04,400
Arianna, what is that?
98
00:05:05,280 --> 00:05:07,360
The tree that Zacchaeus climbs.
99
00:05:07,480 --> 00:05:09,120
Yes, but that's not a maple tree.
100
00:05:09,320 --> 00:05:11,840
The Gospel explicitly states,
that Zacchaeus
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00:05:12,040 --> 00:05:14,040
climbs a maple tree.
That's an olive tree!
102
00:05:14,280 --> 00:05:15,480
That's an olive tree, Lopez!
103
00:05:15,600 --> 00:05:17,040
What do we do with the oil?
104
00:05:17,120 --> 00:05:18,520
We'll take care of it.
105
00:05:18,760 --> 00:05:22,080
The thing with the maple tree
we have to sort it out. Relax.
106
00:05:22,160 --> 00:05:24,360
If you don't sort this out,
don't expect my help
107
00:05:24,440 --> 00:05:25,720
-with the symbolism.
-Thanks.
108
00:05:26,000 --> 00:05:27,760
Sure, it's important, but who is it?
109
00:05:27,920 --> 00:05:30,160
-Carlo, the set designer.
-OK.
110
00:05:30,520 --> 00:05:31,600
Yes, please come with me.
111
00:05:31,840 --> 00:05:34,720
No, no, I'm sorry. She belongs to us.
We only have eight!
112
00:05:34,880 --> 00:05:37,280
I do not care. She is Judas' aunt
and come with me, okay?
113
00:05:37,480 --> 00:05:39,880
I was told
I would play Judas' aunt.
114
00:05:40,080 --> 00:05:44,400
Okay, let her go!
Take her with you, you crook!
115
00:05:49,560 --> 00:05:51,160
So we have seven left.
116
00:05:51,920 --> 00:05:56,160
So that's not really the amount,
who welcomes Jesus to Jericho?
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00:05:56,720 --> 00:05:57,760
No.
118
00:06:02,800 --> 00:06:05,560
I was told you should
hide in the second unit.
119
00:06:05,680 --> 00:06:07,680
Yes, but that's unfair. And absurd.
120
00:06:07,800 --> 00:06:10,680
I love Chinese people. I do
always, since I was little.
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00:06:11,000 --> 00:06:13,960
I had a best friend.
He was Chinese.
122
00:06:14,320 --> 00:06:17,440
His name was Uang.
Uang means "friend".
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00:06:17,800 --> 00:06:19,520
-"Friend"?
-"Loyal friend".
124
00:06:19,880 --> 00:06:23,400
It turned out he was Japanese,
but that's another story.
125
00:06:23,600 --> 00:06:25,520
I was told I was done.
126
00:06:25,800 --> 00:06:28,440
It's very simple:
You stand in the background,
127
00:06:28,600 --> 00:06:30,480
knead bread and don't speak.
128
00:06:30,640 --> 00:06:33,640
Can you get her a little dirty?
You come here.
129
00:06:33,840 --> 00:06:36,000
Go to Duccio and say:
"This is the last time,
130
00:06:36,120 --> 00:06:39,120
-that this happens on set."
-Why? Does Duccio smoke?
131
00:06:39,680 --> 00:06:40,960
Don't ask questions, Fabio.
132
00:06:41,120 --> 00:06:42,120
-No.
-Go.
133
00:06:42,360 --> 00:06:43,400
Yes.
134
00:06:48,200 --> 00:06:49,880
-Master, may I?
-Yes.
135
00:06:51,800 --> 00:06:54,960
Alfredo sends this to you
and he lets me do it,
136
00:06:55,040 --> 00:06:57,400
this is the last time,
that this happens on set.
137
00:06:59,920 --> 00:07:01,720
-Bravo.
-Thanks.
138
00:07:02,240 --> 00:07:05,080
-Good. Are you a boy or a girl?
-A boy.
139
00:07:05,200 --> 00:07:08,160
I won't be with these idiots
rotate. Got it, Diego?
140
00:07:08,320 --> 00:07:11,040
I'm sorry, that doesn't apply to you,
but what the hell...
141
00:07:13,200 --> 00:07:14,200
How are you?
142
00:07:14,280 --> 00:07:18,080
Good, great. We just talk
about details and personal style questions.
143
00:07:18,240 --> 00:07:20,840
Elisabetta,
the platform’s social media manager.
144
00:07:21,000 --> 00:07:22,440
-Ferretti. Very pleased.
-Elisabetta.
145
00:07:22,520 --> 00:07:23,920
She is the best in Italy.
146
00:07:24,040 --> 00:07:26,520
Excuse me.
I have to set up the scene quickly.
147
00:07:26,640 --> 00:07:28,520
What are you doing?
Who is the best in Italy?
148
00:07:28,600 --> 00:07:30,800
Elisabetta, our social media manager.
149
00:07:31,360 --> 00:07:32,840
-La Rochelle. I'm pleased.
-Elisabetta.
150
00:07:32,920 --> 00:07:34,040
So you suck at her.
151
00:07:34,120 --> 00:07:38,200
Perfect. Forgiveness. It is very important
that we get to know each other, because I wanted to
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00:07:38,400 --> 00:07:39,800
-a campaign…
-Oh, actually?
153
00:07:39,880 --> 00:07:42,280
-…for “The Life of Jesus”.
-I have a few ideas.
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00:07:42,360 --> 00:07:44,440
No, in terms of communication…
155
00:07:44,560 --> 00:07:48,400
Example stories:
In the midst of the crowd, Jesus works
156
00:07:48,520 --> 00:07:50,080
with the crown of thorns a self-miracle.
157
00:07:50,200 --> 00:07:51,240
A self-miracle?
158
00:07:51,360 --> 00:07:54,880
Yes, he limps, self-miracle
and tap, tap. Something like that.
159
00:07:55,360 --> 00:07:57,560
Or
a great behind-the-scenes excerpt.
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00:07:58,080 --> 00:08:00,920
Something like:
Where do Christian iconography come from?
161
00:08:01,040 --> 00:08:03,480
this gesture, the image of the open Jesus?
162
00:08:03,560 --> 00:08:06,360
Where does that come from?
Of this? An undergarment,
163
00:08:06,480 --> 00:08:09,040
that is too long,
but essential to the scene?
164
00:08:09,200 --> 00:08:12,560
And preaching with stumps,
That would be embarrassing, right?
165
00:08:12,680 --> 00:08:15,440
-God, indeed.
-God! We understand each other!
166
00:08:15,760 --> 00:08:18,360
Exactly, I would like more
focus on the present.
167
00:08:18,640 --> 00:08:20,480
I want everyone by tomorrow
168
00:08:20,560 --> 00:08:24,320
signed a confidentiality agreement,
who is obliged to maintain confidentiality.
169
00:08:24,480 --> 00:08:25,800
This is very important.
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00:08:25,880 --> 00:08:27,760
That goes for you too, Stanis.
171
00:08:28,320 --> 00:08:29,400
Why?
172
00:08:29,520 --> 00:08:33,200
Your post “One from God
written series" is wonderful.
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00:08:33,400 --> 00:08:35,680
-Also shows enthusiasm.
-sense of humor?
174
00:08:35,800 --> 00:08:40,200
Yes too! Great. But it's not yet
time to make this public.
175
00:08:42,200 --> 00:08:43,760
Actor Stanis doesn't understand that,
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00:08:43,960 --> 00:08:45,920
but producer Stanis will convince him.
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00:08:46,280 --> 00:08:47,880
We'll discuss this.
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00:08:48,200 --> 00:08:49,280
Great.
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00:08:50,120 --> 00:08:52,200
Oh, and one more thing: there was another post.
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This morning from this guy.
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00:08:55,160 --> 00:08:57,480
Andrea, he plays Judas as a young man.
182
00:08:57,600 --> 00:08:59,840
Yes, I know who that is.
183
00:09:00,240 --> 00:09:04,160
We'll double that
speed up. He will delete that.
184
00:09:06,240 --> 00:09:08,240
“We’ll take that double
Speed up?"
185
00:09:08,360 --> 00:09:09,840
-I don't understand.
-A metaphor.
186
00:09:10,320 --> 00:09:11,960
That's what we say to each other here.
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00:09:13,200 --> 00:09:14,240
God.
188
00:09:14,880 --> 00:09:19,960
Do you know what I dream about?
Lots of fish to feed lots of people.
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00:09:21,520 --> 00:09:24,680
That would be great.
That's a great idea.
190
00:09:26,200 --> 00:09:29,440
Of course the jokes are children's
a bit… well.
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00:09:29,640 --> 00:09:34,120
Listen: "Jesus, your eyes are shining
in a special way."
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00:09:34,880 --> 00:09:36,640
Do you ever think about rebirth?
193
00:09:37,360 --> 00:09:38,440
Why do you ask?
194
00:09:39,280 --> 00:09:42,040
Joshua, after my brother was killed,
195
00:09:42,480 --> 00:09:45,680
I realized
that we have to go underground.
196
00:09:46,440 --> 00:09:50,320
So you don't believe the system anymore
should be fought from within?
197
00:09:53,320 --> 00:09:55,520
Are you laughing at us, aunt?
198
00:09:55,640 --> 00:09:56,760
-Is there a joke?
-No.
199
00:09:56,840 --> 00:10:00,120
You're just talking really crazy stuff
for your age.
200
00:10:00,560 --> 00:10:01,600
Stop!
201
00:10:01,680 --> 00:10:04,080
My goodness. I'm sorry.
It just came over me.
202
00:10:04,200 --> 00:10:06,160
No, no, this could be interesting.
203
00:10:06,320 --> 00:10:09,240
It would only be fair
if the aunt is also included.
204
00:10:09,520 --> 00:10:13,240
You know what? Do it again.
Are you ready?
205
00:10:13,400 --> 00:10:17,080
-Naturally.
-Fantastic. Markus, nod.
206
00:10:17,280 --> 00:10:20,800
-Oh, he did...
-And thank you.
207
00:10:21,040 --> 00:10:24,120
Thanks for the jokes
make up for it in this scene. They are…
208
00:10:25,480 --> 00:10:27,800
You can't do the scene
shoot with just seven extras.
209
00:10:27,920 --> 00:10:31,680
You're right. We're taking a break
and I organize 40 extras.
210
00:10:31,760 --> 00:10:32,920
How is that supposed to work?
211
00:10:33,120 --> 00:10:34,360
There are 90 people on set?
212
00:10:34,520 --> 00:10:37,720
I threaten some, I convince some.
I organize 40 of us.
213
00:10:37,960 --> 00:10:39,360
At 40 I'm filming.
214
00:10:39,800 --> 00:10:41,240
-Rene, Rene.
-Hey!
215
00:10:41,520 --> 00:10:46,480
Just a little something.
I noticed you're nowhere.
216
00:10:47,000 --> 00:10:48,760
What do you mean? I am here.
217
00:10:48,920 --> 00:10:50,360
I mean social media.
218
00:10:50,520 --> 00:10:56,080
No, I'm sorry. I don't know
how to register…
219
00:10:56,560 --> 00:10:59,600
It would be nice if you were there too.
220
00:11:00,160 --> 00:11:01,960
To tell the truth,
221
00:11:02,120 --> 00:11:03,880
I don't want business...
222
00:11:03,960 --> 00:11:07,720
If you allow me?
They would be perfect for TikTok.
223
00:11:08,080 --> 00:11:11,440
-Is that the one with the dancing children?
-No, TikTok is for everyone.
224
00:11:11,600 --> 00:11:13,760
And who is no longer a child inside?
225
00:11:15,000 --> 00:11:17,120
So when it comes to dancing,
226
00:11:17,320 --> 00:11:21,120
that's a bit embarrassing for me,
but that was always my dream.
227
00:11:21,200 --> 00:11:22,240
Can you see it? Yes?
228
00:11:22,720 --> 00:11:23,840
Do you do it?
229
00:11:24,000 --> 00:11:25,160
-Yes.
-Come.
230
00:11:26,520 --> 00:11:29,160
Hey, you say the lyrics,
which I wrote down.
231
00:11:29,240 --> 00:11:30,280
Secure?
232
00:11:30,360 --> 00:11:33,160
Clear. Do it the same as before.
Be natural. That's all.
233
00:11:33,440 --> 00:11:36,040
You are very good.
You want to be an actress, right?
234
00:11:36,240 --> 00:11:38,440
I would like,
but I can't afford it.
235
00:11:38,680 --> 00:11:42,440
But today you can prove yourself, okay?
Go.
236
00:11:44,120 --> 00:11:46,160
Forgiveness. Congratulations.
237
00:11:46,280 --> 00:11:47,360
It depends.
238
00:11:47,440 --> 00:11:49,040
You are a great Markus.
239
00:11:49,280 --> 00:11:55,880
A typical Markus, like me
always imagined. Bravo.
240
00:11:56,320 --> 00:11:57,480
But if I don't say anything...
241
00:11:58,280 --> 00:12:01,160
True. That's the hard part.
242
00:12:02,320 --> 00:12:06,320
It's hard to play Markus,
without talking like Markus.
243
00:12:07,120 --> 00:12:10,000
On the other hand
An athlete doesn't need a ball,
244
00:12:10,200 --> 00:12:12,640
to prove that he is the best.
Are you Chinese?
245
00:12:13,040 --> 00:12:14,160
No, Italians.
246
00:12:14,400 --> 00:12:18,320
Oh my God. Oh my God.
I'm sorry. Forgive me.
247
00:12:18,760 --> 00:12:20,640
Are you mad?
because I thought you were Chinese?
248
00:12:21,320 --> 00:12:22,400
Are you crazy?
249
00:12:23,400 --> 00:12:24,920
No why?
250
00:12:25,800 --> 00:12:26,840
What is that?
251
00:12:27,720 --> 00:12:29,320
Come on, Reggina!
252
00:12:29,480 --> 00:12:31,160
Oh, no, that's Angelo.
253
00:12:32,200 --> 00:12:33,760
Good morning everyone!
254
00:12:35,480 --> 00:12:38,040
-Hi Beauty!
-Angelo, what the hell is this?
255
00:12:38,400 --> 00:12:39,920
What do they want to do? Arrest me?
256
00:12:41,320 --> 00:12:43,040
Please, today is not a good day.
257
00:12:43,160 --> 00:12:45,040
-Problems with the extras?
-What are you saying?
258
00:12:45,280 --> 00:12:47,320
Why did you disappear?
You are important.
259
00:12:47,480 --> 00:12:49,880
There's a reason for that.
If you need an extra,
260
00:12:49,960 --> 00:12:51,400
I'm here. At your own risk,
261
00:12:51,480 --> 00:12:53,520
because my uncle finds out about it,
he'll kill me.
262
00:12:54,560 --> 00:12:56,680
Arianna, there's an extra extra here.
We need it, right?
263
00:12:57,040 --> 00:12:58,920
I am here. Yes, we need it.
But that
264
00:12:59,120 --> 00:13:01,360
you drive away
or I'll throw it into the river.
265
00:13:01,440 --> 00:13:04,640
-I'll drive it away.
-Bring it out. And change your clothes.
266
00:13:06,640 --> 00:13:08,000
Why at your own risk?
267
00:13:10,920 --> 00:13:12,000
There's a policeman...
268
00:13:15,040 --> 00:13:16,120
Whatever.
269
00:13:17,120 --> 00:13:18,120
It's true.
270
00:13:28,160 --> 00:13:29,240
Cut! How was it?
271
00:13:29,760 --> 00:13:31,760
-Great!
-Perfect. Come on!
272
00:13:31,840 --> 00:13:33,280
-What music do you want?
-This?
273
00:13:33,920 --> 00:13:36,800
-Is that from you?
-Yes, it's from me.
274
00:13:37,640 --> 00:13:41,120
If we make fools of ourselves,
Will we still get the contract?
275
00:13:42,080 --> 00:13:45,000
You don't do it,
because you believe in the project?
276
00:13:49,080 --> 00:13:51,120
Okay,
you get the contract for extras.
277
00:13:52,000 --> 00:13:53,800
OK. We would have that.
278
00:13:54,920 --> 00:13:57,520
But don't tell around,
that you got the contract.
279
00:13:57,680 --> 00:13:59,360
Maybe there is someone
who does it,
280
00:13:59,520 --> 00:14:00,680
because he believes in the project.
281
00:14:07,360 --> 00:14:08,880
Twenty-eight.
282
00:14:16,240 --> 00:14:18,280
-May I?
-Secure.
283
00:14:18,600 --> 00:14:22,200
Congratulations!
You are the best, like everyone says.
284
00:14:22,480 --> 00:14:25,800
I have
heard about your professional metamorphosis.
285
00:14:25,880 --> 00:14:26,920
Thanks!
286
00:14:27,000 --> 00:14:28,960
And were you also active in politics?
287
00:14:29,120 --> 00:14:31,720
Yes, I tried,
but it didn't go well.
288
00:14:32,560 --> 00:14:33,800
If you
know my career,
289
00:14:33,880 --> 00:14:37,280
you know for sure
that I started the show “Shithole”.
290
00:14:37,640 --> 00:14:42,720
Then it went to “What the hell?” further.
Their slogan: “Fuck off.”
291
00:14:43,200 --> 00:14:46,600
And then I was hooked
and introduced myself to them.
292
00:14:46,880 --> 00:14:48,920
But it didn't work.
Can you believe that?
293
00:14:49,320 --> 00:14:50,640
Yes, I can believe it.
294
00:14:51,280 --> 00:14:53,040
Twenty-eight, 29…
With Ignazio there are 30.
295
00:14:53,240 --> 00:14:54,600
Ten still missing.
296
00:14:57,520 --> 00:15:01,000
Hey, Mr. President!
We need you as an extra.
297
00:15:01,120 --> 00:15:02,280
You will become a Pharisee.
298
00:15:02,400 --> 00:15:03,840
-No no no.
-But.
299
00:15:04,000 --> 00:15:05,480
-No jokes, okay?
-Why?
300
00:15:06,040 --> 00:15:08,080
Because I run the platform!
301
00:15:08,320 --> 00:15:10,880
Arianna,
it is certainly difficult to understand
302
00:15:11,000 --> 00:15:13,200
but that's just how it is.
I can't be an extra. Sorry.
303
00:15:13,360 --> 00:15:17,640
Prove that you are a real leader!
Be a Pharisee!
304
00:15:18,160 --> 00:15:19,720
That's what a leader would do!
305
00:15:19,880 --> 00:15:22,000
-Lopez, I need permission...
-Then get it!
306
00:15:22,400 --> 00:15:24,880
-They wouldn't give it to me!
-Ask her! Go!
307
00:15:28,040 --> 00:15:30,720
At first I had Lino Banfi,
a B-celebrity, in his sights.
308
00:15:31,160 --> 00:15:32,880
Then I wanted to be like Favino,
309
00:15:33,320 --> 00:15:36,160
but I realized
that I'm not that changeable.
310
00:15:36,400 --> 00:15:38,120
That's not one of my qualities.
311
00:15:38,280 --> 00:15:40,560
At Favino we talk
by an absolute genius.
312
00:15:40,720 --> 00:15:44,720
He had great roles.
Favino can do everything.
313
00:15:45,000 --> 00:15:48,000
Favino was asked
whether he would play Favino.
314
00:15:48,400 --> 00:15:51,200
The make-up took ten hours.
In the end, he was a phenomenon.
315
00:15:51,320 --> 00:15:55,040
Yes, identical. But in my opinion
it's just a legend.
316
00:15:56,040 --> 00:15:57,960
I had a great relationship
to Uncle Peppe.
317
00:15:58,120 --> 00:16:00,280
He was an intellectual.
Peppe Campanacci.
318
00:16:01,480 --> 00:16:04,360
But in his eyes
I was some kind of clown.
319
00:16:04,520 --> 00:16:08,560
That always left me a little disappointed.
He liked Fabrizio Gifuni.
320
00:16:09,160 --> 00:16:12,320
Imagine. The last,
what he said before he died was:
321
00:16:12,960 --> 00:16:16,520
"Man, I like Gifuni!"
Boom! And then he died!
322
00:16:16,920 --> 00:16:18,160
Understand.
323
00:16:19,320 --> 00:16:23,000
But to do the right thing,
you always have to be consistent.
324
00:16:23,280 --> 00:16:24,360
Resistant.
325
00:16:24,480 --> 00:16:28,120
A natural comedic talent
shouldn't waste that.
326
00:16:30,360 --> 00:16:33,280
-Yes, but I have to be Gifuni.
-OK.
327
00:16:33,440 --> 00:16:37,120
You are a Pharisee!
You are a servant of the system!
328
00:16:37,240 --> 00:16:38,840
Great! I love it!
329
00:16:38,920 --> 00:16:40,720
Okay, see you later! "Great!"
330
00:16:42,440 --> 00:16:44,720
Allison said I can do it.
331
00:16:44,800 --> 00:16:46,320
But only if you do it too.
332
00:16:47,120 --> 00:16:50,320
Yes, sure. What exactly did she say?
333
00:16:50,400 --> 00:16:51,760
She said...
334
00:16:52,160 --> 00:16:54,560
"Miss Dell'Arti must be an extra too."
335
00:16:54,640 --> 00:16:57,840
That would be great". So I play
the Pharisee for you, Lopez,
336
00:16:58,240 --> 00:17:00,760
but only if Miss Dell'Arti does too
plays a Pharisee.
337
00:17:01,520 --> 00:17:02,840
See you in the dressing room.
338
00:17:02,960 --> 00:17:06,200
Come on, you replace the woman,
which Stanis cheers loudly.
339
00:17:06,360 --> 00:17:08,240
No, I definitely won't play it.
340
00:17:08,400 --> 00:17:10,880
Okay, then you play the amazed woman.
This is perfect.
341
00:17:11,760 --> 00:17:12,960
Yes, exactly like that. Perfect.
342
00:17:13,760 --> 00:17:14,840
So is this censorship?
343
00:17:14,920 --> 00:17:17,240
It's not censorship. Simply put:
344
00:17:17,320 --> 00:17:19,960
We ask you in the confidentiality agreement,
nothing to say.
345
00:17:20,040 --> 00:17:24,400
Sorry, but could it be
that the lady is harassing you?
346
00:17:24,600 --> 00:17:26,720
Talk to me. I understand you.
347
00:17:27,560 --> 00:17:31,240
They talk and talk,
but you don't notice people.
348
00:17:32,160 --> 00:17:33,240
That's who you are.
349
00:17:33,560 --> 00:17:37,200
Even if it's just sand
wipe from her eyes.
350
00:17:37,960 --> 00:17:39,160
That's true, isn't it?
351
00:17:39,240 --> 00:17:43,120
Don't pick your nose. Never! OK.
352
00:17:43,960 --> 00:17:45,720
If you'll excuse me,
I have to go.
353
00:17:46,040 --> 00:17:49,280
It's not censorship.
Remember! No censorship.
354
00:17:49,760 --> 00:17:51,000
I'm very scared, Alfredo.
355
00:17:51,600 --> 00:17:54,560
Why? Every time you try,
you'll get better.
356
00:17:54,680 --> 00:17:55,760
Where is the problem?
357
00:17:56,720 --> 00:17:57,720
Thanks.
358
00:17:59,960 --> 00:18:05,720
When I struggle, I give myself
occasionally even a little push.
359
00:18:07,960 --> 00:18:09,240
Could you help me?
360
00:18:10,360 --> 00:18:12,400
I don't know how. I'm sorry.
361
00:18:13,640 --> 00:18:15,840
Shall we try again? Come on.
362
00:18:16,960 --> 00:18:19,600
Let the little ones come to me!
363
00:18:20,480 --> 00:18:22,200
Amazed woman!
364
00:18:23,360 --> 00:18:25,720
Remember,
taking off the glasses while filming.
365
00:18:25,880 --> 00:18:27,960
Yes, but you're fine with me
on your nerves, René.
366
00:18:28,080 --> 00:18:29,720
-I know.
-You are great. Great!
367
00:18:29,920 --> 00:18:31,720
-Great uncle! You're great!
-You are the best!
368
00:18:31,840 --> 00:18:34,640
Come, Jesus! Jesus, come!
369
00:18:36,440 --> 00:18:37,560
Are you crazy?
370
00:18:38,160 --> 00:18:39,880
No, I'm just helping out here.
371
00:18:40,080 --> 00:18:41,200
Did you ask Allison?
372
00:18:41,320 --> 00:18:45,200
Yes, I called her. She sounded enthusiastic.
373
00:18:45,920 --> 00:18:47,280
I think this is a trap.
374
00:18:47,440 --> 00:18:48,440
Are you ready?
375
00:18:51,280 --> 00:18:53,720
Yes, I'm ready!
376
00:18:57,920 --> 00:18:59,040
A trap.
377
00:18:59,120 --> 00:19:00,960
René, when are we shooting this scene?
378
00:19:01,040 --> 00:19:03,400
I have to in more than 100 seconds
to the toilet.
379
00:19:05,600 --> 00:19:10,320
No, come on. Nando is right.
We're shooting! Nando can't take it anymore!
380
00:19:10,560 --> 00:19:12,080
Hey, Martellone, you're the best.
381
00:19:12,200 --> 00:19:13,200
Thank you my friend.
382
00:19:13,360 --> 00:19:15,840
Lorenzo, the tree is not a maple,
so not so much in the picture.
383
00:19:16,000 --> 00:19:17,040
Thank you thank you.
384
00:19:17,400 --> 00:19:20,960
I ask for calm, gentlemen.
385
00:19:21,040 --> 00:19:23,160
Because now the sound is being recorded!
386
00:19:23,320 --> 00:19:27,440
Quiet. Relax yourself. Find the role.
387
00:19:27,520 --> 00:19:29,200
You know we are the Jesus fans!
388
00:19:29,280 --> 00:19:33,600
-The Jesus Brigade! Jesus! Go!
-Come on, Stanis! Come!
389
00:19:36,320 --> 00:19:39,320
Sorry, but the extras there
don't look good. Back, please.
390
00:19:39,480 --> 00:19:40,560
Quiet!
391
00:19:42,360 --> 00:19:45,800
-I want to be your disciple!
-Calm down! No rush!
392
00:19:55,720 --> 00:19:58,400
Cut! Fantastic!
393
00:19:58,520 --> 00:20:00,600
No no.
394
00:20:00,760 --> 00:20:02,320
-What? Did we shoot?
-That was good.
395
00:20:02,560 --> 00:20:04,600
René, how could that have been good?
396
00:20:18,920 --> 00:20:19,960
It was good.
397
00:20:20,640 --> 00:20:24,280
Bravo, Lorenzo. You have one
very good eye. I never noticed.
398
00:20:24,400 --> 00:20:27,080
René,
we have been working together for 13 years.
399
00:20:28,600 --> 00:20:30,640
Now I've noticed it.
What do you want?
400
00:20:31,800 --> 00:20:33,640
Scene 116-4, flap, the first.
401
00:20:34,760 --> 00:20:35,920
And action.
402
00:20:40,400 --> 00:20:41,440
I can't do that.
403
00:20:41,560 --> 00:20:44,960
Cut, cut, cut.
Come on, Giulia. We're shooting!
404
00:20:45,120 --> 00:20:47,120
Scene 116-4, flap, the second.
405
00:20:48,520 --> 00:20:50,640
And action...
You have to wait for my “action”.
406
00:20:51,360 --> 00:20:53,360
Scene 116-4, flap, the third.
407
00:20:54,080 --> 00:20:55,160
And Act...
408
00:20:56,560 --> 00:20:57,680
People, for…
409
00:20:59,440 --> 00:21:00,640
No, I can't do that.
410
00:21:00,840 --> 00:21:03,160
-I can't do it. Let's leave it alone.
-No, Giulia.
411
00:21:03,240 --> 00:21:04,720
You are very good. Come with me.
412
00:21:05,920 --> 00:21:08,320
All right, let's take a moment.
Come with me.
413
00:21:19,400 --> 00:21:21,280
POLICE
414
00:21:22,800 --> 00:21:23,840
I'm sorry.
415
00:21:25,920 --> 00:21:27,440
What a disappointment.
416
00:21:28,280 --> 00:21:30,440
What exactly did he say?
417
00:21:30,520 --> 00:21:32,680
That the Calabrians aren't coming today
because they know
418
00:21:32,840 --> 00:21:34,880
that a plainclothes police officer will be here.
419
00:21:35,240 --> 00:21:36,480
Why didn't you say anything?
420
00:21:36,560 --> 00:21:38,000
Because Angelo lies all the time!
421
00:21:38,080 --> 00:21:39,480
He's always making things up.
422
00:21:39,880 --> 00:21:40,960
Where is Lopez?
423
00:21:41,920 --> 00:21:43,840
You don't want to be an actress
right?
424
00:21:44,000 --> 00:21:45,800
No. That's correct.
425
00:21:46,760 --> 00:21:49,320
But give me that one close-up, okay?
426
00:21:51,680 --> 00:21:53,720
-OK.
-How long until they get here?
427
00:21:54,600 --> 00:21:56,120
Five minutes after my call.
428
00:21:57,640 --> 00:21:59,200
But we won't find anything, right?
429
00:22:00,200 --> 00:22:02,840
Scene 116-4, flap, the fourth.
430
00:22:03,960 --> 00:22:05,040
Action.
431
00:22:11,840 --> 00:22:13,400
I do the drawers, you do the folders.
432
00:22:13,560 --> 00:22:16,400
Folder, folder.
433
00:22:16,720 --> 00:22:19,760
Nothing. Nothing.
434
00:22:23,400 --> 00:22:25,160
Also the dresser.
435
00:22:29,960 --> 00:22:31,760
Okay, we're done. Let's go.
436
00:22:38,120 --> 00:22:41,160
Jericho is beautiful,
but I wouldn't want to live there.
437
00:22:41,520 --> 00:22:46,280
-Jesus' sense of humor. He can...
-Joshua, stop.
438
00:22:47,200 --> 00:22:48,440
Bring the big man here.
439
00:22:53,960 --> 00:22:56,360
Let me be your disciple.
440
00:22:56,880 --> 00:22:58,360
Cut! Nando?
441
00:22:58,800 --> 00:23:01,800
Zacchaeus is funny.
We've discussed that.
442
00:23:02,000 --> 00:23:05,360
-Come on, again. We're shooting!
-Scene 523, flap, the second.
443
00:23:06,240 --> 00:23:07,600
Bring the big man here.
444
00:23:08,440 --> 00:23:10,880
Let me be your disciple.
445
00:23:11,040 --> 00:23:16,280
Stop! Nando, you're still too stiff.
Too wooden. Understood?
446
00:23:16,400 --> 00:23:19,440
I want old Nando,
the Martellone from before.
447
00:23:19,560 --> 00:23:22,000
-Come on, you can do it!
-No!
448
00:23:22,880 --> 00:23:24,880
Scene 523-4, flap, the third.
449
00:23:26,840 --> 00:23:28,200
And action!
450
00:23:28,480 --> 00:23:30,000
Let me be your disciple.
451
00:23:30,480 --> 00:23:32,000
-Sell everything.
-Yes.
452
00:23:32,160 --> 00:23:34,480
Give the profits to the poor and follow me.
453
00:23:35,920 --> 00:23:37,200
Everything, everything?
454
00:23:37,320 --> 00:23:41,080
Cut! Nando, don't!
Nando! That still wasn't it!
455
00:23:41,360 --> 00:23:43,560
He wants the house in the small town
456
00:23:43,680 --> 00:23:46,000
on the outskirts of Rome, Torvaianica.
It's everything
457
00:23:46,160 --> 00:23:49,120
what else you have, Nando! Come on, let's shoot!
458
00:23:49,640 --> 00:23:52,240
-The house in Torvaianica.
-The house in Torvaianica?
459
00:23:52,560 --> 00:23:54,560
-The house in Torvaianica.
-The house in Torvaianica?
460
00:23:55,400 --> 00:23:57,400
Scene 523-4, flap, the fourth.
461
00:23:59,040 --> 00:24:00,480
And action!
462
00:24:02,160 --> 00:24:04,240
Let me be your disciple.
463
00:24:04,400 --> 00:24:05,800
-You want to be my disciple?
-Yes.
464
00:24:06,520 --> 00:24:10,600
Sell everything. Give the profits to the poor
and follow me.
465
00:24:10,760 --> 00:24:11,800
Everything, everything?
466
00:24:11,920 --> 00:24:14,320
-Everything, everything.
-Everything, everything, everything?
467
00:24:14,480 --> 00:24:15,760
Everything, everything, everything.
468
00:24:17,480 --> 00:24:20,080
Absolutely not
I'm selling the house in Torvaianica!
469
00:24:20,200 --> 00:24:24,880
Never!
Shove it up your ass, Joshua!
470
00:24:25,720 --> 00:24:27,040
-A little less.
-Cut!
471
00:24:27,160 --> 00:24:31,920
Perfect. And now a mix please
from the Martellone from just now,
472
00:24:32,120 --> 00:24:37,640
whom I love, and Zacchaeus Gifuni.
A mix. Camera off!
473
00:24:37,800 --> 00:24:39,400
So it's a damn mix.
474
00:24:39,960 --> 00:24:41,040
The mix.
475
00:24:54,280 --> 00:24:58,560
René, no. I saw the video.
Wonderful! Very good.
476
00:24:58,680 --> 00:25:00,040
They are so cute...
477
00:25:00,160 --> 00:25:05,040
We think it would be more exciting
if you take the role
478
00:25:05,200 --> 00:25:09,680
of the mysterious director,
who is not on social networks.
479
00:25:09,800 --> 00:25:12,000
In the style of Salinger.
Do you understand, René?
480
00:25:12,880 --> 00:25:16,120
And it would be better
when we delete the profile.
481
00:25:16,240 --> 00:25:19,880
We'll take care of you, okay?
Okay, kiss, kiss.
482
00:25:25,560 --> 00:25:26,680
No.
483
00:25:27,440 --> 00:25:29,480
They got you too, right?
484
00:25:51,880 --> 00:25:53,840
-Hi, Alison.
-Hi, Ale.
485
00:25:55,320 --> 00:25:58,360
This Elisabetta,
the social media manager,
486
00:25:58,600 --> 00:26:00,960
-should open a bar instead.
-Why?
487
00:26:01,600 --> 00:26:03,880
Coffee, cappuccino, coffee.
488
00:26:04,120 --> 00:26:06,720
Why? Because you notice
that the project means nothing to her.
489
00:26:07,080 --> 00:26:09,320
It means something to you. You were an extra.
490
00:26:09,640 --> 00:26:11,960
I think it's a trap.
I'm telling you.
491
00:26:12,680 --> 00:26:14,720
Not you. She's a coward.
492
00:26:15,400 --> 00:26:18,080
She opens bars. This is their path.
493
00:26:20,200 --> 00:26:21,640
We'll spank them, yes!
494
00:26:22,640 --> 00:26:24,840
Sorry. The second half begins.
495
00:26:29,840 --> 00:26:32,000
Even at this time? Is it always like that?
496
00:26:33,080 --> 00:26:34,120
Well, sometimes.
497
00:26:44,760 --> 00:26:47,520
Take notes. You have to have these wishes
498
00:26:47,600 --> 00:26:51,520
pass it on to Stanis, the producer.
Brazilian apple juice.
499
00:26:52,040 --> 00:26:54,080
-Brazilian?
-Brazilian. Very important.
500
00:26:54,200 --> 00:26:56,760
This little mozzarella from Tornareccio
in the province of Chieti.
501
00:26:56,840 --> 00:26:58,800
There is the factory
the Chiappone brothers…
502
00:26:58,920 --> 00:27:01,040
Hey, where are you looking?
503
00:27:01,160 --> 00:27:04,520
-Hey, oh… Chiappone brothers!
-Chiappone…
504
00:27:14,320 --> 00:27:17,960
Stanis, I have no idea how that works
could happen. Everyone loves you!
505
00:27:18,560 --> 00:27:22,400
Just say it was you.
How could you?
506
00:27:24,680 --> 00:27:26,360
-It was him.
-Fabio.
507
00:27:29,640 --> 00:27:33,960
Why do you have a tail?
painted on my face?
508
00:27:37,560 --> 00:27:39,920
You're a little jealous, aren't you?
509
00:27:40,040 --> 00:27:42,280
This feeling of dizziness
that you have because you
510
00:27:42,440 --> 00:27:44,400
compare with me every day? Tell me.
511
00:27:44,560 --> 00:27:45,600
Yes, perhaps.
512
00:27:46,920 --> 00:27:50,120
Maybe a tantrum?
Yes, a tantrum.
513
00:27:51,240 --> 00:27:54,040
I have no idea what was wrong with me.
I'm sorry. I wasn't me.
514
00:27:55,200 --> 00:27:56,200
No fear.
515
00:27:59,120 --> 00:28:01,160
I also often have tantrums.
516
00:28:01,920 --> 00:28:04,040
Arianna,
We're not throwing the boy out.
517
00:28:04,880 --> 00:28:07,880
He's a cheeky bastard,
but he is talented, brave
518
00:28:08,000 --> 00:28:09,000
and looks good.
519
00:28:09,400 --> 00:28:11,400
Maybe we'll find something
in cinematography.
520
00:28:12,840 --> 00:28:13,960
-Thanks, Stanis.
-Thanks.
521
00:28:14,040 --> 00:28:16,400
Don't touch me.
If you mess up again,
522
00:28:16,520 --> 00:28:19,000
I'll grab you
and throw yourself in a dumpster.
523
00:28:19,160 --> 00:28:20,400
-Understood.
-Good.
524
00:28:20,920 --> 00:28:22,040
I'll go then.
525
00:28:52,880 --> 00:28:58,760
Eyes of the Heart
Eyes of the Heart
526
00:28:58,880 --> 00:29:01,040
Boris
527
00:29:01,400 --> 00:29:07,280
I'm singing a new story
With emancipated characters
528
00:29:07,440 --> 00:29:13,440
Just like the new algorithm
The platform dictates it
529
00:29:13,800 --> 00:29:19,560
Parallel actions
And complicated scenes
530
00:29:19,720 --> 00:29:21,080
Boris
531
00:29:21,280 --> 00:29:26,520
We don't shoot them
We tell them
532
00:29:27,160 --> 00:29:32,960
An exciting TV series
That never lets you go
533
00:29:33,240 --> 00:29:40,200
Amidst supermen and teenagers
You're glued to the screen
534
00:29:40,680 --> 00:29:44,280
Oh, Boris, oh, Boris
Boris, Boris
535
00:29:44,360 --> 00:29:46,360
Subtitles by: Claudia Hager-Smolka